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Wrestling superhero Santo battles an evil scientist who has created a race of zombies.



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original title: Santo contra los zombies

genge: Adventure,Horror,Action,Sci-Fi

 

imdb: 3.4

duration: 1h 25min

 

 

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Wrestling superhero Santo battles an evil scientist who has created a race of zombies. El Santo, more than any other lucha film hero, seemed to encounter the supernatural at nearly every turn. Well, maybe not quite that regularly, but in a film career then spanned three decades, he confronted more than his share of werewolves, aliens, witches and other strange foes.

In this early fantasy themed entry (one of four films made in this year), three strangely silent thieves stage a midnight raid on a jewelry shop. During the course of the theft, the night watchman shoots one of the robbers in the forehead, with no apparent effect. The bandits fend off arriving detectives and make their escape -- delivering their loot to a man in a medical tunic and a hood. It seems they are zombies -- revived criminals controlled by this sinister mastermind.

Three detectives (Armando Silvestre, Irma Serrano and Jaime Fernandez)are dispatched to investigate the disappearance of a noted professor who had recently returned from a research trip to Haiti. When the man's daughter (Lorena Velazquez, who appeared in a number of lucha films -- including a two-film stint as half of the femme wrestling duo, Las Luchadoras) appeals to the authorities for assistance, Silvestre wisely calls on Santo for help.

Santo almost instantly runs afoul of the zombie master. He thwarts the kidnapping of the female of the trio and, later, prevents the zombies from abducting children chosen as experimental subjects, from an orphanage. One particularly bizarre element to the film being that both the madman and Santo can tune each other in on closed circuit television. Santo literally watches as the fiend lays his plans.

In an attempt to put an end to this unwanted meddling (is there ever _wanted_ meddling?), the hooded fiend abducts Santo's next ring opponent (co-scripter Fernando Oses) and turns him into a killer zombie. The plan unravels when Santo managed to short circuit his control belt.

The daughter and the detectives of course end up in the madman's hands, and it's El Santo to the rescue.

Some nice, gloomy photography is the highlight of an otherwise rather basic film. There's a particularly nice sequence at the end, when Santo (who generally just rushes off once he's triumphed) slowly exits up a long and interesting metal staircase set into the madman's cave. There are some clinker shots, though. There's a poorly done use of rear projection in an exterior scene, and there's a downright goofy shot of a partly unmasked Santo goggling in shock at the zombies who had attacked him vanishing in a puff of flame.

Still, it's a fun early Santo flick, and it is available dubbed in English for those who're timid about boldly launching into original-language lucha.

7 out of 10. This early black-and-white Santo adventure was one of the first of his films to be released in America - hence his renaming as 'the Saint' in the English-dubbed version. It's a solid action picture, made on an obviously low budget but with some fun ingredients and a smattering of typical Mexican wackiness to prevent it from becoming a bore to watch. Now before you get too excited about the prospect of seeing some good zombie-killing action up on screen, remember this was made before the advent of NIGHT OF THE LIVING DEAD. The zombies here just look like regular guys with vacant expressions who shuffle around a lot but provide surprisingly agile when it comes to fighting. They're animated via remote control transmitters in their belts too! Whereas later Santo adventures like SAMSON IN THE WAX MUSEUM concentrated on providing an almost Gothic-horror in their approach, despite the presence of zombies this is otherwise an adventure film with science fiction elements. The villain (who also wears a mask, a black one to hide his identity), lives in a futuristic but murky lair which includes a television, which he uses to watch his zombies in action.

Otherwise the plot is very basic and predictable, chock full of kidnappings, mystery identities, surprising murders, and the like. The action is what keeps it moving, although the wrestling bouts in the ring (which take up a long twenty minutes of the film's running time, including the never-ending opening wrestling sequence) do drag in parts. It's much more fun when Santo fights the zombies outside of the ring, either when rescuing the children in an orphanage or saving the heroine from being kidnapped. Watch out for the fun bit involving a battle in the ring with a zombie which ends up being short-circuited! Events pick up for the exciting ending which is a little too short and only gives Santo two opponents to face. There are some nice surprises as to the identities of the two villains and a little heartwarming touch at the end in which the detectives speculate on Santo's desire to help out those in need. Sure, the acting and dubbing are below par, but as any fan of Mexican fantasy cinema will know these are only minor detractions to the flow of the movie and come to be expected. Generally this is a pretty watchable yarn, not without its share of stilted moments and scenes which seem to drag, but as a whole its surprisingly effective with some nice creepy music when the zombies attack.

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A mercenary is hired to rescue his ex-girlfriend, a singer who has been kidnapped by a motorcycle gang.



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duration: 1h 33min

tags: Tonight is what it means to be young.

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A mercenary is hired to rescue his ex-girlfriend, a singer who has been kidnapped by a motorcycle gang. Rock and Roll singer is taken captive by a motorcycle gang in a strange world that seems to be a cross of the 1950's and the present or future. Her ex-boyfriend returns to town and to find her missing and goes to her rescue. STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits

It would appear that before Michael Pare became an unheard of video star in the 90s he did actually have something of a big screen career once mainly in the shape of this Walter Hill fantasy adventure, Sin City 1980s style set against a colourful back-drop of a futuristic world laced with some sort of 1950s throw-back.

Tom Cody (Mr Pare) a mercenary for hire, is called back to his old home town when his ex-girlfriend (Diane Lane) is kidnapped by a gang of bikers lead by a younger Willem Dafoe. But finding her won't be easy and he'll need the help of an annoying, obnoxious Rick Moranis and the Real McCoy (Amy Madigan) a tough former soldier who drinks at his local bar. But even when girlfriend is rescued, it will still become a battle to see off the troublesome gang once and for all.

Bustling along with a hollering bar-room live band soundtrack and a faded out screen style of moving things along, Streets of Fire is a movie with a lot of style but much less substance, a colourful, lively but ultimately rather empty experience. Pare makes a fair big screen hero, Moranis puts his annoying nerd appeal to good use, Madigan is convincing as a tough chick and Dafoe is unrecognizable as the main bad guy but the cast certainly make it shine more than Hill does. *** Streets of Fire is directed by Walter Hill who also co-writes the screenplay with Larry Gross. It stars Michael Par辿, Diane Lane, Rick Moranis, Amy Madigan and Willem Dafoe. Music is scored by Ry Cooder and cinematography is by Andrew Laszlo.

When the lead singer of Ellen Aim and the Attackers is kidnapped by biker gang The Bombers, her ex-soldier of fortune boyfriend is contacted and hired to go get her back...

There were a couple of movies released in 1984 by maverick directors that were frowned upon at the time, but are now significantly held in high regard and define the saying "cult movie". One was Alex Cox's Repo Man, the other was Walter Hill's Streets of Fire.

Streets of Fire is a bastard hybrid of ideas and influences. In part a rock opera set to the backdrop of blink blink blinkity blink neonvillle, an unnamed place that lives and breathes between 50s angst and 80s futurism, in others it's a straight forward road/mission movie headed up by an anti-hero taking notes from Snake Plissken whilst jostling for cool space with Kyle Reese. It's a film, that by Hill's own admission, is unashamedly a collage of things he finds cool in cinema. Yet this is not a detriment to the pic, the narrative is straightforward as can be and Hill throws everything he can into the mix, and it works.

In essence it's a live action comic book, it knows it's just a film and has no pretencions to seem remotely real life. The look is wonderfully flamboyant and campy, where the hero and villain wear braces and PVC overalls respectively. The girls are a mixture of a teenage diva babe and a beer swilling roughneck babe. The city itself is a vibrant mix of colours and carnage, beauty and beats, and where the streets literally are on fire. Hill weighs in with his adroit flair for action, always kinetic, while the soundtrack rocks and the dialogue bubbles with self aware glee. Cast are super, some sexy and tough, others weaselly and weak, but all pumping the pop culture blood through the veins of the movie.

With style and cool to burn, both only beaten out by the action quotient, Streets of Fire is an ode to live action fun. And watching it now you can see just how it has influenced many a film maker post its release. Streets of Fire, one bad ass bitch funky sex machine. 9/10 Very of its time but enjoyable for all that. The film was created with the intention of being the first in a series of three. Sadly the terrible commercial response to 'Streets' eliminated any possible continuation. Despite frequent requests from hardcore fans, there is little chance of any sequels seeing the light of day. Perhaps due to the fact that the part had originally been written for a man and was only slightly modified after Amy Madigan expressed an interest in playing the role, this has become one of the most frequently debated topics on these boards and sadly there is no definitive answer. Both sides of the argument can quote dialogue that they feel proves their point but no one involved with the production has ever truly taken a side to either confirm or deny the characters orientation. It is simply left for each fan to decide for themselves. However, throughout the film, McCoy smokes cigars. In the old days of Hollywood, this was a visual code that a woman was gay. Hill likely added this as a knowing wink to older viewers.

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duration: 1h 32min

tags: Don't let it out

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A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being. Morgan is one of those movies you see done by Producers and Directors who want to start out in the film industry and show what they can do. It takes place in one area and has a small cast.

The big difference between those small below budget movies and Morgan is that this movie is produced by Ridley Scott and directed Luke Scott, a name I've never herd before, yet rings a loud bell if you get my drift. So obviously, Scott's one location is going to look far more elaborate than other one location shoots and have a small cast made of some very familiar faces.

It has a very Horror film style to it, with a cabin in the woods and taking more of a pre psycho style to the Horror. In this Sci-fi Drama, Morgan is a Frankenstein-like monster, a human created in a lab by a group of mad scientist, but unlike Frankenstein's Monster, Morgan is a little more aware of her small group of villager's feelings on her and is design to be more capable to deal with it, making everyone's fears on Morgan come true.

Kate Mara was really hot in this movie. It's definitely a personal appeal for me as I watch. Though she is part of an ensemble cast she takes the center of attention like I've never seen before in a movie, and despite the strange haircut, she's very sexy as a cold hearted pencil pusher for a huge corporation. Plus, the movie did not have enough of my preferred eye candy, Michelle Yeoh, who plays the main scientist that put Morgan together.

Overall, Morgan turn out to be such a complete film filled with so much goodness. It's a very meaty story that looks great. Definitely not a coincidence that Luke has the same last name as Ridley

http://cinemagardens.com I saw the trailer for this creepy looking film just days before it was released and I went to see it in the cinema, I was intrigued by both the good names in the cast, and I hoped it would be interesting as well, directed by Luke Scott, son of Sir Ridley. Basically slightly-built and self-contained young woman Lee Weathers (Fantastic Four's Kate Mara) is a risk-assessment specialist from a company funding research projects devoted to creating artificial human beings, she is called in to investigate an incident. Lee is dispatched to a remote location where one of the company's most promising experiment projects, a human hybrid called Morgan (Atlantis's Anya Taylor-Joy), has violently lashed out at Dr. Kathy Grieff (Jennifer Jason Leigh), she had a "tantrum", and stabbed her in the eye with a pen. Lee goes into a discussion with the scientists at dinner, also revealing she is fluent in Chinese, she discusses a previous incident with the lead scientists Dr. Lui Cheng (Michelle Yeoh) and Dr. Simon Ziegler (Toby Jones), at Helsinki another experiment went wrong, most of the team of scientists were killed. Psychologist Dr. Alan Shapiro (Paul Giamatti) is brought in to interview Morgan, with Lee and the scientists observing, Shapriro wants to see how much she understands human emotions, and slowly taunts and provokes her to get some kind of reaction, she does react and violently kills Dr. Shapiro, Lee realises she is too unpredictable, especially given her enhanced intelligence and strength, and must be terminated. The scientists have raised Morgan from birth, she is only five years old, but has grown to a teenage status owing to her enhanced growth rate, they have grown attached to her and cannot bring themselves to kill her, Lee plans to do so herself, but she is injected with a sedative and imprison her in Morgan's glass cell. The scientists plan to escape with Morgan, but she instead kills them one by one, while Dr. Ziegler elsewhere kills himself, Morgan kidnaps her favourite handler Dr. Amy Menser (Rose Leslie), Cheng in the house is recording an apology that the experiment has failed, hinting a "more human" creation was being attempted, but the result has become uncontrollable, she finishes and Morgan enters to kill her. Lee manages to escape her cell, with her extensive martial arts abilities, Skip Vronsky (Boyd Holbrook) finds her and a car chase ensues through the woods as Morgan tries to escape with Amy, until Lee and Morgan have a final showdown with a highly physical fight, which ends with Lee impaled on a fallen tree branch sticking out. Morgan leaves her to bleed, only for her to miraculously revive, Lee catches up to her and drowns her in the nearby lake, she proceeds to shoot Amy, she also shoots Skip, leaving no witnesses to what happened. In the end the executives at the company who funded Morgan's creation, including Jim Bryce (Brian Cox), sit in conference and calmly discuss the events, it is revealed that Lee is actually an earlier prototype of the human hybrid, she is apparently the "perfect" artificial human all this time. Also starring Michael Yare as Ted Brenner, Chris Sullivan as Dr. Darren Finch, The A Word's Vinette Robinson as Dr. Brenda Finch, Crispian Belfrage as Charles Grimes and Jonathan Aris as David Chance. Mara is good as the steely trouble-shooter, Jones and Yeoh are alright as the ones in the white coats, Taylor-Joy is certainly creepy and unpredictable lab-grown synthetic human, and Giamatti steals the show with his probing session to reach the AI's emotional limits, this scene is the highlight of the film. This film is mirroring cyborg-themed film Ex Machina, there are many similarities, with the questions of what it means to be human, it is calm the first half, then it races with high-octane chases and action, I agree with critics the change in pace makes the film go a different direction than it could of, and you can probably guess the twist towards the end, but overall the tension is maintained, it is an interesting science fiction mystery thriller. Worth watching! Whatever its flaws, this is a rare genre movie that allows two women

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genge: Action,Adventure,Family,Fantasy,Sci-Fi

 

 

duration: 21min

 

 

keywords: slowmotionscene, husbandwiferelationship, powercrystal, wind, magicalstaff, implosiondevice, timeinepisodetitle, tobecontinuedending, outtakesduringepisodeendcredits, sunset, sister, brother, boneswor


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